This is a motifational poem. The motif motifates the writer, spurring associations to render the poem into a unity, if only a superficial, galvanizing unity. But where would anything be without either motifation or superficilaity? Nature made man & man makes superficial motifations. It’s endless.

The motif for me is occasioned by a form of activity reactive to anything, funded motifationally by the capacity to draw congruous & incongruous subject matter into abstract (or otherwise) assemblages.

I suppose this is merely another explanation of a poem. But it is mine. & it has its own terminology.

I have punned mercilessly. Forgive me.

Motif Lately
The bloated bleating, cross-wired metonym.
A chasm, chiasmus;—this stainless steel fork
& knife for splitting pictures of a body.
Folds & creases in zoom, gorges—the eyeball,
scrupulous, dilated pupils: Earth from space, cocooned
in the milk of gods—a lukewarm swab to rim the eyes,
crusty rheum scooped out; the thankless trees,
become themselves, their own nomenclature.
Wind-woke-humming, haywire machinery
: I woke sleeping last night, unbuttoning a floor
of cotton, descended; perhaps I wanted…
to unzip my bed & shimmy in metaphorically.
I woke proper, switched on the lamp to find
my bed sheets sprawled across the room
me, shaken from the struggle in my dream,
from the substrata leaking out before dawn.
Sun worship even as the arid stiffening
of soil prevents crow & magpie.
This chip on our shoulder, filled for now
with clods of animal fat—crud of the land,
the faeces of subjugated cattle plugging holes
in us even as it shreds holes in the sky, land, water.
Innocence, brand panic—everything
you thought pure, spoiled ganglion.
A dog, elegant, long limbed cross-bred
Jack of Spades, tail buoying it hind, to lick
our wounds sterile—why else would man
make best pals of them? Everything to our advantage…
Sensitivity isn’t…sensible—it can kill!
You wind up with a heart in your esophagus
gasping for explanations to yourself; brain
weeping through the left hand’s arthritic fingers;
kidneys squeezed in the right for stress relief,
dreaming your body oiled & bound, arranged
like half a withered oak in a granite sarcophagus.
Who doesn’t want to break linearity & learn
what will happen one moment, the next
& even further; to plot life with stiff upper lips
like a rudder to pilot tides pleached with moonlight
only to wish for a U-turn after hindsight?
Orpheus, past cozying to his discriminate self,
wanted nothing more than to be a bachelor
: couldn’t he feel Eurydice’s soft flesh
pressed to the tips of his fingers, his palm?
Why could he not trust touch, hear
her footsteps, the patterned eagerness
to leave Hades in her heaving breaths
—O the exaggerated drama of farewell?
The unflattering rigors of happiness
—the banality, pursuit all compensated
at a later date by someone else, out of sight
& mind, nameless : timeless—otherness without
much to lose, we assume all things but time.
The following night a wind barged in & blew
the starred curtains flat against the ceiling;
I rummaged folds for buttons, a zip
but nothing…
Posted by:DPM

DPM is an idea-logue (sic) and object-oriented speculative realist, attempting to be response-able in an irresponse-able society.

8 thoughts on “Motif Lately

    1. Lots to chew and ingest this morning… I will go grab another cup of coffee. 👏🏼👏🏼👏🏼 One thing initially disturbs me in the poem though. “thankless trees”… 😞🤔

  1. I quite enjoyed this labyrinthine musing of your mind! And some great lines (“brand panic” and the whole “who doesn’t want to break,linearity….only to wish for a U-turn after hindsight” etc) the whole poem actually quite a feast, enough to nibble on for days!

    1. I think I was reading a lot of Roy Fisher at the time & enjoyed how he wrote something like Kim Chi-ha’s talking poems where the poet channels, jn a somewhat informal language, very profound insights & observations.

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