The Contemporary Haibun Online is a fine journal that i’ve been reading a few months now, & have been learning a lot about haibun from, as it contains essays on haibun in addition to a well picked selection of haibun. So i was pleased to have something selected to be published there, thanks to the editors Bob Lucky & Ray Rasmussen. Nan’s Funeral can be read here.

Posted by:DPM

DPM is an idea-logue (sic) and object-oriented speculative realist, attempting to be response-able in an irresponse-able society.

28 thoughts on “My haibun ‘Nan’s Funeral’ published at contemporaryhaibunonline dot com

    1. Thanks. It is one of those journals i find myself reading all of, which isn’t something i always make time for, but i do return to finish off the contents they put up. Send me the link to your haibun on there please.

      1. Dunno what you’re talking about, your haibun treats the subject with a directness & the sentiment isn’t overbearing, but enough; which shows control. Your haiku is better than my tanka. Actually, Bob the editor didn’t like the original with a trio of haikus, but he gave me the chance to resubmit the haikus, though i opted for a traditional tanka. i was fortunate the prose was strong enough.

      2. Yes, Bob gave me a second chance for the haiku too! Thanks. I think your prose is incredibly rich in capturing the moment from a few angles. Not sure it’s control so much as the challenge I have in describing emotions even off the page/screen- something I’ve recently become aware of and I think the realisation and attempts to be better attuned to how i feel will seep into my writing in time. I still have your third essay to read! My blog reading lately has slowed down…

      3. Yes the ‘challenge’ is the engine to keep us humming. That you challenge yourself then shows, glad you offered me the right verb.
        My blog reading has been slowed by Foucault— i went to Seoul & bought a hoard of new books, plus i felt poisoned by Seoul on returning to Jeju, so my mind hasn’t been right. i dip in though. The 3rd essay will be there for sometime, take your time; the last one is the most dense & difficult. Probably a headache of words to be honest, haha.

      4. I found that post quite funny- that the even thw foreign, mystical life on jeju gets interrupted by trips to IKEA.

        The third essay is what you’ve primed your readers for- looking forward to reading the revised poem.

  1. Beautiful – you touched on the kind of thoughts and emotions ive also felt on trying to understand death- i guess it’s universal. The mundane is a blessing sometimes- i guess it brings us vack down to earth and grounds us.

    1. It was a toughy to write, because i sort of realized when trying to write on the subject of loss that it is universal, which is a fine line to cliche & getting the sentiment wrong aesthetically seemed something i had to avoid, but i thought the oscillation between the mundane, the incidentals, the reactions of loved ones & the big questions avoided anything cliche or outworn, but still managed to be ‘universal’. It’s hard writing is sometimes.

      1. You did it well because you clearly observed what was going on around you and internally too. I will go back and read yours again and some others too later today.

  2. Daniel, you captured the universal, chewed it up and spat it out, intact but in an altered form. You earned your spurs, son (and other cowboy sayings that don’t apply)!

    1. Cheers Daniel. i need a good talking with myself before considering teaching: i like the idea of working in academia though i wonder if yhe reality would irritate me: apathetic pupils & sloppy writing etc.

  3. Congrats on getting your work selected. A beautiful piece. Very self-revealing and emotive. I’m not familiar with the haibun form?

    1. Cheers Pablo.
      The haiku & tanka are part of the haibun; Basho invented it, or developed it, in a book called The Narrow Road to the Deep North, which i read many years ago in my university library when i was supposed to be studying. Daniel Schnee put me back on with the form when he remarked that some of my longer poems had something of the haibun about them. So i sort of got the flame stoked. It may be a form you can work well with seeing as you are familiar with haiku.

      1. It looks interesting. I just bookmarked their website to check it out. It certainly seems like a great way to express my ideas that spill so awkwardly outside of the Haiku form. Thanks!

      2. Good call. It’s a fine journal, with some informative essays on approaching the haibun. As much as i like the option to comment on people’s work it is a refreshing change for a journal to be all about the work & nothing else.
        i hope to see haibun spilling out of you soon.

  4. Daniel, Nice to see you showing your work. re your poems. They’re run together so that might confuse readers who don’t know haibun, a mix of prose and haiku. And nice to have people reading CHO. Regards, Ray R.

    1. No problem Ray. Was pleased to be published by CHO. Unfortunately i’ve not been writing any Haibun lately, but i do journey over to CHO for a dose from time to time.

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