an essential read. Daniel Schnee really knows his stuff & this piece on North Indian music is a window into his encyclopedic mind.
Master Veena Sahasrabuddhe (1948 – 2016)
Though there have been numerous introductory articles written about North Indian classical music for beginners or musicians from outside the tradition, a good many of them focus on each note set (raga) like they are simply scales to be ascended and descended like jazz rudiments; like reading Hamlet out loud somehow makes one a skilled Shakespearean actor! Unfortunately this approach, though usually well meaning, has led to a great many misunderstandings about Indian music, and a lot of poorly wrought jazz and world beat music. The most profound and successful hybrids of North Indian music and other systems, though, have occurred when cultural context and terminology has been explored, and both student and performer are connecting on a mutually understood conceptual level. This conceptual understanding is not only absolutely essential, it is also very interesting and deeply inspiring, giving you…
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